→線上購票按此←

★台灣首映
★本場次安排映後座談：林容生、林坤葦 (網路平台《獨立遊戲開發者分享會IGDshare.org》)、鄭暐橋 (網路暱稱「半路」、《Bonnie's Brunch》獨立遊戲創作人）

Film Introduction: the local indie game design group, IGDshare.org.

※ 2012日舞影展得獎殊榮，SXSW Film Festival、HotDocsFilm Festival、RiverRun International Film Festival等國際影展競相邀約。
※ 這群獨立遊戲設計者的奮鬥史，讓人目不轉睛！──Hollywood Reporter

This documentary looks at the game developers who've rejected the billion dollar franchises of conventional gaming to enter the no-to-low budget world of indie development. It follows the two-year trek of one of the first major indie games for Xbox, Super Meat Boy—the adventures of a skinless boy in search of a girlfriend, who is made of bandages. It also tracks the development, release and success (or failure) of famed games like Fez and Braid, one of the highest-rated games of all time. But more than just a film about a geeky subculture, Indie Game captures the emotional journey of these meticulously obsessive artists who devote their lives to their games. This is a compelling portrait of a new breed of digital artist.

→線上購票按此←

※ 以一種全神貫注的凝視，看這群一無所有的藝術家，以自已的生存方式，終於在主流社會獲得巨大成功的故事。──Los Angeles Times

九零年代，一群受到美國次文化影響的年輕藝術家在紐約群聚起來，他們喜愛街頭藝術、滑板、塗鴉和獨立音樂，開始以Alleged工作室為基地，創作出以他們生活為藍圖的藝術作品。這些人後來成為影響當代流行藝術的重要指標性人物，包括以肖像塗鴉聞名的Shepard Fairey、滑板傳奇Mark Gonzales、EdTempleton、鬼才導演Spike Jonze, Harmony Korine、已逝藝術家 Margaret Kilgallen、街頭文化藝術家Mike Mills、塗鴉創作人Barry McGee, Phil Frost等。他們以D.I.Y.的方式，將街頭流行、滑板文化與塗鴉等帶進作品中，形成一股新潮流，替當代藝術文化開全啟新篇章。

The 1990s was when street art, skateboarding, indie music and film managed to push their way into mainstream art galleries and the popular consciousness. This film chronicles the rise of artists who came out of New York’s Alleged Gallery, including graffiti artist Shepard Fairey (now famous for his Obama “Hope” poster), skateboard legends Mark Gonzales and Ed Templeton, film directors Spike Jonze, Mike Mills and Harmony Korine, graffiti artist Twist (Barry McGee) and others. They all went on to become at least underground famous, and theirs is the story of the Beautiful Losers, a group of disenfranchised creative spirits struggling first to create, and then with success.

→線上購票按此←

※ 以輕鬆的視角闡述鞋子在人們精神層面、社會文化，甚至與……性慾的關係。──New York Times

紀錄片《神啊！請救救我的高跟鞋》探索女人愛鞋的秘密。愛鞋成癡不只牽涉到流行文化層面，也包含了心理學和社會學範疇。導演 Julie Benasra 採訪了數十名鞋的愛好者和收藏家，包括黑眼豆豆主唱Fergie、葛萊美獎歌手Kelly Rowland，以及擁有1200雙鞋的超級愛鞋控Beth Shak，現身說法剖析她們收藏鞋子的理由。導演也訪問了Christian Louboutin、Walter Steiger、Pierre Hardy等多位知名鞋履設計師。當然，也包括了《慾望城市》中讓全球女人為之瘋狂的貴族高根鞋設計師Manolo Blahink，看他們娓娓道來創作理念與鞋子跟女人之間的迷人關係，時尚迷可千萬不能錯過！

God Save My Shoes is most basically a documentary about gorgeous women’s shoes, their designers, and the celebrities who wear them. It turns the camera on superstar shoe designers like Christian Louboutin, Manolo Blahnik, Walter Steiger, Pierre Hardy, Bruno Frisoni and Robert Clergerie. But the real passion comes from the even bigger superstars who wear their creations. Fergie from the Black Eyed Peas, Kelly Rowland of Destiny’s Child, the model Dita Von Teese and others gush about their pumps, stilettos, puppies and every other type of heels. They answer probing questions like, Why would a woman need 12,000 pairs of shoes? Or how much could you possibly spend on a shoe collection? The answers are strangely fascinating.

→線上購票按此←

★台灣首映

※ 無與倫比的卓越！透過電影傳達新聞寫實，手法罕見、精巧！──權威電影雜誌 Variety 好評推崇

※ Silverdocs、Los Angeles Film Festival、Full Frame Film Festival、True / False Film Festival官方觀摩片

Pruitt-Igoe為二次世界大戰後，美國推出都市更新「住房運動」的產物，由名建築師山崎實操刀設計，還在1951年獲得了美國建築師論壇雜誌「年度最佳高層建築獎」。不過當人們享受廉價福利住房的喜悅不久，卻引爆種種社會問題，導致大批最初住戶開始搬離，接著它很快變成了令人絕望的高犯罪率危險街區，1972年聖路易斯市政府在花費500萬美元整治無效之後，將已成「不宜居住項目」的Pruitt Igoe 住宅區全部炸毀。電影探討Pruitt-Igoe住房運動神話失敗的原因，揭露當時美國在社會、經濟及政策法規上的問題，是一部悲傷、詩意又發人省思的作品。

The modernist architect Le Corbusier once said the house is a machine for living in, but what were the real consequences of applying this concept to an entire neighborhood, city or a society? The Pruitt-Igoe Myth tells the story of the transformation of the American city in the decades after World War II through the lens of the infamous Pruitt-Igoe housing development in St. Louis. At the film’s historical center is an analysis of the national urban renewal program of the 1950s and 1960s, which prompted the process of mass suburbanization and emptied American cities of their residents, businesses, and industries. Those left behind in the city faced a destitute, rapidly de-industrializing St. Louis, parceled out to downtown interests and increasingly segregated by class and race. The residents of Pruitt-Igoe were among the hardest hit. Their gripping stories of survival, adaptation, and success are at the emotional heart of the film. At the same time, we also see the larger histories of public welfare policies, a spiral of poverty and crime, and the first rent strike in the history of American public housing. In the end, Pruitt-Igoe was deemed a failure and torn down. Its failure has been used to critique Modernist architecture, attack public assistance programs, and stigmatize public housing residents. This documentary seeks to set the historical record straight and examine the interests involved in Pruitt-Igoe’s creation and why things went so terribly wrong.

→線上購票按此←

※ 以一種全神貫注的凝視，看這群一無所有的藝術家，以自已的生存方式，終於在主流社會獲得巨大成功的故事。──Los Angeles Times

九零年代，一群受到美國次文化影響的年輕藝術家在紐約群聚起來，他們喜愛街頭藝術、滑板、塗鴉和獨立音樂，開始以Alleged工作室為基地，創作出以他們生活為藍圖的藝術作品。這些人後來成為影響當代流行藝術的重要指標性人物，包括以肖像塗鴉聞名的Shepard Fairey、滑板傳奇Mark Gonzales、EdTempleton、鬼才導演Spike Jonze, Harmony Korine、已逝藝術家 Margaret Kilgallen、街頭文化藝術家Mike Mills、塗鴉創作人Barry McGee, Phil Frost等。他們以D.I.Y.的方式，將街頭流行、滑板文化與塗鴉等帶進作品中，形成一股新潮流，替當代藝術文化開全啟新篇章。

The 1990s was when street art, skateboarding, indie music and film managed to push their way into mainstream art galleries and the popular consciousness. This film chronicles the rise of artists who came out of New York’s Alleged Gallery, including graffiti artist Shepard Fairey (now famous for his Obama “Hope” poster), skateboard legends Mark Gonzales and Ed Templeton, film directors Spike Jonze, Mike Mills and Harmony Korine, graffiti artist Twist (Barry McGee) and others. They all went on to become at least underground famous, and theirs is the story of the Beautiful Losers, a group of disenfranchised creative spirits struggling first to create, and then with success.

→線上購票按此←

★台灣首映

※ 2012日舞影展得獎殊榮，SXSW Film Festival、HotDocsFilm Festival、RiverRun International Film Festival等國際影展競相邀約。
※ 這群獨立遊戲設計者的奮鬥史，讓人目不轉睛！──Hollywood Reporter

This documentary looks at the game developers who've rejected the billion dollar franchises of conventional gaming to enter the no-to-low budget world of indie development. It follows the two-year trek of one of the first major indie games for Xbox, Super Meat Boy—the adventures of a skinless boy in search of a girlfriend, who is made of bandages. It also tracks the development, release and success (or failure) of famed games like Fez and Braid, one of the highest-rated games of all time. But more than just a film about a geeky subculture, Indie Game captures the emotional journey of these meticulously obsessive artists who devote their lives to their games. This is a compelling portrait of a new breed of digital artist.

→線上購票按此←

★台灣首映

★本場次安排映前引言：阮慶岳 (建築師、作家)
Film Introduction

※ 2010柏林影展特別放映單元，映後觀眾好評不絕於耳！
※ 2010 San Sebastián International Film Festival觀眾票選獎。
※ 現代最受人尊敬的建築師Mr. Foster之人生速寫。──The Telegraph
※ 真是一部了不起的紀錄片！──Docville Film Festival 2010 

「每一件事情都能激發我的靈感，有時候我感覺我能看到別人看不到的東西。」──Norman Foster

英國建築師Norman Forster為高技派代表人物，曾提出建造世界第一大廈的前衛觀點，是當代建築中最具遠見的思想家，這部電影即紀錄Norman Forster的生平，以及他致力用設計讓生活更多采多姿的堅定追求。本片探討Norman Foster的代表作，及其創作靈感來源，如中國北京首都國際機場、柏林國會大廈修復工程、環保概念為出發點的紐約赫斯特大樓，以及位於法國擁有世界上最高橋樑之稱的米洛高架橋。影片也找來曾獲普立茲克建築獎Richard Rogers、藝術家Anish Kapoor、抽像雕塑藝術大師Anthony Caro、哲學家Alain de Botton，甚至邀請了樂隊U2主唱Bono在電影中分享他們對 Norman Foster的見解。

The British architect Norman Foster once proposed the world’s first mile-high building, and though it was never built, he has consistently been one of the most visionary thinkers in contemporary architecture. Through interviews with Foster and contemporaries including the author Alain de Botton and the singer Bono, this film traces Foster’s monumental career and his unending quest to improve the quality of life through design. The cinematography alone paints striking portraits of Foster’s emblematic projects, such as the largest building in the world, the Beijing Airport, the Reichstag, the Hearst Building in New York, and world’s tallest bridge in Millau France. But there are also the ideas: In the very near future, the majority of mankind will abandon the countryside and live entirely in cities. Foster offers striking solutions to the problems that will be created by this historic event.

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★本場次安排映後座談：陳秋惠 (way2creative方法原創創辦人，是設計師也是印刷專家)

POST-FILM DISCUSSION: Jessie Chen will discuss Chinese typography, fonts commonly used here in Taiwan, and how local designers have similar issues to those in the film. Ms. Chen, founder of way2creative, is a designer who was worked in both the US and Taiwan. (The talk will be in Chinese.)

※ 一部用心、風趣、迷人的紀錄片，帶我們深入了解這世界上最流行的字體。──TimeOut London 

※ 榮獲美國獨立精神獎提名，開啟紀錄片在當代文化中的嶄新地位。

※ SXSW獨立電影節、Brit Doc、Hot Docs、SilverDocs 官方觀摩片。

經典傳奇字型的故事，一窺印刷、平面設計、視覺文化大觀園！Helvetica這個字體，可是歷史上最長盛不衰的字體。它包含了世界上的設計、廣告學、心理學和溝通能力。為了慶祝Helvetica誕生50年，美國導演Gary Hustwit拍攝這部獨立紀錄片，深入探討了這個字體所應用的場合、媒介，以及設計師們使用該字體背後的美學考慮。電影讓大眾認識這款出自瑞士設計師的字體，如何在平面設計及商業上成功，拍攝地遍及美、英、荷、德、瑞士、法、比等國，走訪世界各地的設計大師以及Helvetica對設計美學的深遠影響。

This documentary traces the development and enduring charm of the typeface, Helvetica, but it is also about much more than the world's most pervasive font. It’s a history of the last hundred years of graphic design and how Western culture has expressed its hopes, wants and needs through magazines, advertising, signage and all the other graphics that fill our lives. Filmmaker Gary Hustwit shows Helvetica's impact on international design, advertising, and communication, chasing down the world's top graphic designers in the US, Britain, the Netherlands, Germany, Switzerland, France, Belgium and everywhere else, and displaying their love-hate relationship with this landmark of graphic design.

→線上購票按此←

※ 以輕鬆的視角闡述鞋子在人們精神層面、社會文化，甚至與……性慾的關係。──New York Times

紀錄片《神啊！請救救我的高跟鞋》探索女人愛鞋的秘密。愛鞋成癡不只牽涉到流行文化層面，也包含了心理學和社會學範疇。導演 Julie Benasra 採訪了數十名鞋的愛好者和收藏家，包括黑眼豆豆主唱Fergie、葛萊美獎歌手Kelly Rowland，以及擁有1200雙鞋的超級愛鞋控Beth Shak，現身說法剖析她們收藏鞋子的理由。導演也訪問了Christian Louboutin、Walter Steiger、Pierre Hardy等多位知名鞋履設計師。當然，也包括了《慾望城市》中讓全球女人為之瘋狂的貴族高根鞋設計師Manolo Blahink，看他們娓娓道來創作理念與鞋子跟女人之間的迷人關係，時尚迷可千萬不能錯過！

God Save My Shoes is most basically a documentary about gorgeous women’s shoes, their designers, and the celebrities who wear them. It turns the camera on superstar shoe designers like Christian Louboutin, Manolo Blahnik, Walter Steiger, Pierre Hardy, Bruno Frisoni and Robert Clergerie. But the real passion comes from the even bigger superstars who wear their creations. Fergie from the Black Eyed Peas, Kelly Rowland of Destiny’s Child, the model Dita Von Teese and others gush about their pumps, stilettos, puppies and every other type of heels. They answer probing questions like, Why would a woman need 12,000 pairs of shoes? Or how much could you possibly spend on a shoe collection? The answers are strangely fascinating.

→線上購票按此←

※設計領域的一大貢獻！──Richard Grefe 美國設計師協會執行長

從美國知名公司IDEO引爆的「設計思考」一詞發想，認為設計不是商品外觀、時尚或美感，而是跟「解決生活問題」息息相關。導演採訪了IDEO公司總裁Tim Brown、史丹佛大學設計學院創辦人David Kelley等超過廿位專業人士，也訪問現任可口可樂北美區設計長Vince Voron、紐約大都會雜誌總編輯Susan S. Szenasy等人，遍及商業、媒體、設計業界，試圖找出各行各業對「設計思考」的定義與實踐方式。這是第一部由台灣人拍攝的國際設計紀錄片，不畏挑戰選了這個目前美國本土的最熱門話題拍攝，希望用當地人與外來者的視角，拍出一部具有意義和啟發性的影片，電影在美國設計界引起眾多討論，紐約大都會雜誌甚至以「這是一個很有野心的電影」、「絕無僅有！」來形容對本片的肯定。

In 2008 the American design firm IDEO proposed the concept of “design thinking” as a tool for solving problems in daily life, business, and even global crisis like world hunger. They said that thinking like a designer can help achieve human solutions, give us better ways to use new technologies and also deal with economic realities. Attention and debates followed. Some insisted on design education in all K-12 schools, while others declared it as just marketing tool for that firm, and still others hoped it would turn the company into Apple. This film is an examination of design, its ubiquity and its limitations. The film is the first documentary by the Taiwanese design firm Muris Media.

→線上購票按此←

★台灣首映
★本場次安排映後座談：康旻杰 (空間變革的行動者、台灣大學建築與城鄉研究所副教授、專業者都市改革組織OURs理事)

※ 無與倫比的卓越！透過電影傳達新聞寫實，手法罕見、精巧！──權威電影雜誌 Variety 好評推崇

※ Silverdocs、Los Angeles Film Festival、Full Frame Film Festival、True / False Film Festival官方觀摩片

Pruitt-Igoe為二次世界大戰後，美國推出都市更新「住房運動」的產物，由名建築師山崎實操刀設計，還在1951年獲得了美國建築師論壇雜誌「年度最佳高層建築獎」。不過當人們享受廉價福利住房的喜悅不久，卻引爆種種社會問題，導致大批最初住戶開始搬離，接著它很快變成了令人絕望的高犯罪率危險街區，1972年聖路易斯市政府在花費500萬美元整治無效之後，將已成「不宜居住項目」的Pruitt Igoe 住宅區全部炸毀。電影探討Pruitt-Igoe住房運動神話失敗的原因，揭露當時美國在社會、經濟及政策法規上的問題，是一部悲傷、詩意又發人省思的作品。

The modernist architect Le Corbusier once said the house is a machine for living in, but what were the real consequences of applying this concept to an entire neighborhood, city or a society? The Pruitt-Igoe Myth tells the story of the transformation of the American city in the decades after World War II through the lens of the infamous Pruitt-Igoe housing development in St. Louis. At the film’s historical center is an analysis of the national urban renewal program of the 1950s and 1960s, which prompted the process of mass suburbanization and emptied American cities of their residents, businesses, and industries. Those left behind in the city faced a destitute, rapidly de-industrializing St. Louis, parceled out to downtown interests and increasingly segregated by class and race. The residents of Pruitt-Igoe were among the hardest hit. Their gripping stories of survival, adaptation, and success are at the emotional heart of the film. At the same time, we also see the larger histories of public welfare policies, a spiral of poverty and crime, and the first rent strike in the history of American public housing. In the end, Pruitt-Igoe was deemed a failure and torn down. Its failure has been used to critique Modernist architecture, attack public assistance programs, and stigmatize public housing residents. This documentary seeks to set the historical record straight and examine the interests involved in Pruitt-Igoe’s creation and why things went so terribly wrong.